Letter from the site operator.
A while back a digital photography historian requested information from
us concerning the development of digital photography and how we became
involved with the topic. Below is a copy of the material we
provided:
"When we began this site in September of 2001 the only sites on the net
which discussed the history of digital photography were never more than
several pages in length and seldom showed more than two or three photos
of early model still video or digital cameras. The same was true
for virtually all magazine articles. Digital photography books
were not much better. They never devoted more than a brief
chapter to the subject of digital photography development even though
it was the biggest single advance in photography in more than 150
years.
In 1998 we purchased our first digital camera and began researching its
technical development. After several months of gathering material
off the net, we found that when attempting to return to various sites
those sites were sometimes no longer in existence or the digital
photography articles had been deleted. Concerned about this
disappearance of important historical information, we contacted every
photography historian listed on the net to make them aware that
information about the development of digital photography was
disappearing before anyone had thought to preserve it for future
generations. Only one person replied saying, "Thanks for
volunteering!"
Since we had printed a rather large stack of material off the net, we
decided to accept the challenge and began to assemble chronological
photos of cameras as well as historical documents by various
authors. When we first went online with DigiCamHistory.Com our
only intent was to identify early model still video and digital cameras
for those who might come across a camera they could not identify.
This soon changed to providing basic information about each camera, and
later adding information to the site concerning the development of
photography in general, developments which had eventually led up to the
marketing of digital cameras.
Building a digital photography site in those days was difficult because
there was no single source which provided more than a few photos or few
paragraphs on the subject. Researching cameras on the net was
next to impossible if you did not know the model number, and how were
you to obtain the model number of a camera that you did not know
existed? The only way was to research every magazine and book
available which had some information on the topic. Other sources
included reports on the net of past technical shows which often
contained a few photos of current cameras or those planned for
marketing. Over time, the site gradually grew in content as we
spent many hours hunting down every lead on cameras that may have
existed, but which we hadn't yet documented.
As the site grew in content, we decided that just documenting the
existence of those early model cameras was not sufficient, thus we also
began collecting them so that they could be preserved for the enjoyment
of future generations. If we had it to do all over again we
probably would have established our collection first and the web site
later because of economic reasons. Once we documented the
existence of early model cameras and encouraged other to collect them,
their eBay prices jumped considerably. One individual reported to
us that once we placed a camera on our site it tripled in market value
overnight. We are now in the position of not being able to afford
purchase of some of the rarer cameras that we could have easily
purchased early on. Some that were once available for a few
hundred dollars may now command prices of many thousands.
One other difference notable from the early days has been the gradual
disappearance of what we would call professional courtesy between many
sites on the net that are devoted to photography. Early on,
virtually every article or report having to do with digital photography
as well as those reporting photography news, supporting photography
discussion forums, etc., had a section for links to other digital
photography sites as we do on our Useful Info page and History Sites
page. Regrettably, perhaps due to economic competition
considerations (competition for viewers and for ads), this situation is
no longer true for most sites. In reviewing the many links
provided by DigiCamHistory.Com to other photography sites, only a few
still provide such links to others, and we could not find a single one
that even mentioned DigiCamHistory.Com as a source of additional
information or even acknowledged our site as a source of information
for their site.
Along that same line, there are a number of foreign sites on the net
that have obtained all or most of their material from
DigiCamHistory.Com, but which do not mention the source. On our
front page we state that the material on our site is provided for the
free use of all photography enthusiasts and we do not mind at all when
foreign sites copy our material and then translate the English into the
language of their own country. If fact, we strongly encourage it,
but would appreciate it if our site were to be mentioned as the source
so that those who can read English and who might wish to explore the
subject in greater depth can do so.
There are no ads on this site and it is financed entirely by the
owner/operator. All photos and written material were either
originated by the owner/operator or are in accordance with the United
States fair use doctrine which governs the use of copyrighted material.
Back in 2002 shortly after I established my website,
DigiCamHistory.Com, I received an enquiry from the New York Times about
the site asking a number of questions. At that time digital
photography was in its infant stage and very few people new anything
about it. The only way for digicam owners to view photos outside
the camera was to use a computer or have then printed at one of the few
places that existed for doing so. Sales of digicams were a
minuscule portion of total camera sales and were expected to remain
that way long into the future. Kodak management said that
film quality would continue to improve and stay ahead of digital
quality, possible forever. I owned a Sony Mavica MVC-FD91 which
had less than one megapixel capability and which produced very poor
quality photos compared to film. In the final paragraph of my
reply to the NYT I made a number of predictions:
1. Consumer digicams will follow the path taken by camcorders -
making consumer film cameras a curiosity the way camcorders have done
with consumer movie cameras.
2. Combination camcorders and still cameras will become even more
popular, even to the point where many people will no longer see the
need for buying two separate types.
3. Despite the efforts by film manufacturers to make it easier
and more convenient to obtain traditional prints from digital images,
the really big upcoming change in photography will be the use of DVD
players and similar devices to view family photography albums on the
home TV. The advent of high-definition television will make TV
screen slide-shows the preferred method of viewing. Just slip a
disk into a player and operate the remote similar to the way it is now
done with slide projectors. No more digging out photo albums from
their hidden places of storage and flipping through them one page at a
time on one's lap. Moreover, ten thousand or more photos can now
be stored in the same amount of space as previously taken up by a
single paper-print album.
All of the above were proven to be true, and in a much shorter time
than even the most optimistic predictions of early digicam users.
Basically, digicams followed the path of digital music which took over
the market from LPs far sooner than the "experts" predicted."